Representation of traditions of lviv vocal school in performing and training practice (on the example of Ternopil institutions)

The purpose of the article. research is connected with elucidation ways representation traditions Lviv vocal school, in particular line S. Krushelnytska – O. Bandrivska, on example their followers, vocalists, and teachers Ternopil. methodology based historical-stylistic comparative approaches, methods historical-cultural discourse, fundamental historical-musicological positions issue choral performance. Scientific novelty. Attention focused figures so-called "Ukrainian branch" school as an integral part Ukrainian its connection European culture. We can interpret it a performing pedagogical which was formed basis certain system education, upbringing, education singers Galician region. Its formation closely development composition, national opera genre, professional music education. V. Vysotsky traced, continued A. Krushelnytska, Bilyavska, K. Chernet; F. Krespi Bandrivska pupils. It noted that by beginning second half XX century. main method teaching common empirical-intuitive (mastering voice "tool" singer). Thanks to work (her author's concept chamber singing) technique has acquired signs systemic scientific. novelty article T. Didyk, D. Hubyak (co-author article), B. Ivanonkiv, number famous vocalists Ternopil, particular, N. Ovod article). Conclusions. summed up representatives founded both Galicia Kyiv, diaspora, brought generations performers who worthily represent concert practice.
 Key words: musical culture Western Ukraine, end XIX third XXI century, art, performance, teachers,